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Star Wars: The Old Republic
Lead
Composer by Mark Griskey
EA Collectors Ed. Release (2011)
Rating:
7/10

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Full Streaming tracks below via Youtube
Playlist
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“Accessible to any
Star Wars fan, [Star Wars: The Old Republic] honors many
themes we know and love while
establishing new ones which emulate the sense of excitement that
Star Wars had in the first place.”
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New Music for an Old Republic
Review by Thomas Midena
BioWare’s mammoth online game enlists a massive team of composers to
create an authentic Star Wars soundtrack. But can they produce quality
entertainment to rival John Williams? Lennie Moore, Jesse Harlin, Gordy
Haab, Wilbert Roget II, Steve Kirk, Jared Emerson Johnson and Peter
McConnell unite with MARK GRISKEY (composer of the previous game in the
series, Knights of the Old Republic II) to conquer this task.
The game, which was released in December 2011, is a Massively Multiplayer
Online game created by BioWare - a studio renowned for their Mass Effect
and Dragon Age games. Said to have cost $200 million to develop, Star
Wars: The Old Republic is certainly one of the largest video games ever
created. Players can create and customize their own character then jump
right into this massive Star Wars universe with thousands of other online
gamers.
A soundtrack disc containing 17 tracks was released with the Collector’s
Edition of STAR WARS: THE OLD REPUBLIC,
and another
30 pieces were
released online for free download. This totals a whopping 47 tracks of
original music from MARK GRISKEY and his team. And as an avid follower of
the game since its announcement in 2008 and a dedicated player since its
launch in 2011, I’ve listened to every beat of the soundtrack to delusion.
Here are my thoughts.
Where better to begin than with the opening track, for both the CD and the
game. “Clash Of Destiny” grumbles in gently, then builds as the whole
orchestra joins in. By the time the choir gets going, it is obvious that
this soundtrack has enormous scope. This piece manages to encapsulate the
conflict and grandeur that we all love about Star Wars. It also has many
similarities in style to “Battle Of The Heroes” from Revenge Of The Sith,
which was obviously an inspiration.
“Glory, The Galactic Republic” is a triumphant piece filled with hope,
fervour and that classic sense of adventure we all love about Star Wars.
The latter half of the track descends into darker territory, and then
unleashes a rollercoaster of intense orchestration; all bells and whistles
blazing in a truly rousing manner.
Then there’s “Domination, The Sith Empire”. Uptight and methodical, it is
the perfect culmination of what the Empire has meant to us since the
original trilogy of films. A lovely little hopscotch of a theme dances
throughout this piece. And once again things escalate at the halfway mark,
rolling into a moment of action, followed by a brooding sense of mystery -
to be expected when there’s Sith involved. If you listen closely you might
notice some hints towards Jeremy Soule’s “Knights of the Old Republic”
from the game of the same name in 2003.
And all of a sudden we’re back in the sunshine with “Justice, The Jedi
Knight”. This pieces opens with a lovely variation on Yoda’s theme from
the original trilogy, climbing into exclamations of pure triumph. Around
the middle of the track we hear a cue which agreeably reminds me of Back
To The Future, a cue which encapsulates the nobility of the Jedi Knight.
We remain in the light with “Bravado, The Smuggler”, introduced by a
confident march oozing with pure-heartedness. Later on the cue develops
into the inevitable mischief and action we would expect from a scoundrel.
Swirls of orchestration reflect the daring and heroic nature of the
Smuggler.
The dark side is immediately present in “Deception, The Sith Warrior”.
This deep, grunting melody backed by a ominous choir signals the brutal,
shadowy quality of the Sith. A tentative fear creeps into the latter
section of the piece. This feels like the perception of the Sith from
their victims, as they cower before the immense evil power. Immense evil
power which reappears for one last powerful expression in the final thirty
seconds.
On the opposite side of the spectrum of morality is “Peace, The Jedi
Consular”. Gliding between mixtures of Yoda’s Theme, the piece highlights
the nobility, mystery and heroism of the Jedi. It is a rather remarkable
little compilation of familiar themes from the original trilogy that is
sure to spark the excitement of any Star Wars fan.
Then there are some tracks released online for free which I couldn’t
finish without mentioning. “The Mandalorian Blockade” is constantly
stellar, but the last 90 seconds of the track is absolutely incredible and
will make you want to jump into a starship and travel off into an unknown
world. Don’t do so just yet, though! First I have to tell you about pieces
such as “Alderaan, The Throne”. This is a change of pace, opening with
sweeping beauty and moving into a very light tone that you might expect
more from a fantasy world than a science fiction. “Balmorra, The Forge”
triumphs with a rousingly majestic military theme that reminds me of Star
Trek. By the end, though, it has melded into a dark and somber chorus
worthy of Return Of The Jedi.
“The Occupation of Balmorra”. It’s probably my favourite track in the
entire game, and it’s filled to the brim with action, triumph and finesse.
The full scale of the orchestra truly comes together in this piece, as
strings and horns team up to get your adrenalin going. Once again, it
picks up even more in the last several minutes as the choir joins in. If
nothing else, make sure you
grab this piece for free over on The Old
Republic website now!
Unfortunately, the massive 47 track-count I mentioned earlier isn’t as
exciting as it first seemed, as 15 of these tracks are ‘Cantina music’.
And don’t expect 15 iterations of the legendary “Cantina Band”. Most of
this new Cantina music isn’t a great standalone listening experience.
Sure, it’s very creative, and it ranges interestingly in style (much of it
reminiscent of 70s Sci-Fi, and some is very Tim Burton). There are a
couple of standout Cantina pieces which I do get some enjoyment out of,
such as the entirely silly “Doe Azalus Ootmian”. But on the whole, though
these pieces may set a great atmosphere in the game (and are better than a
couple of dull orchestral pieces such as “Hoth, The Frozen Wastes” and
“Belsavis, The Ancient Prison”) they aren’t what most of us want in an
orchestral soundtrack. They remind me of the techno remixes we have been
seeing a lot of in album releases lately (I’m looking at you, “Pirates of
the Caribbean: On Stranger Tides”!).
But although the Cantina music may bring down my average score, there is
still enough pure orchestral adventure here to rival any film score. This
is an incredibly successful soundtrack in many respects, and it would feel
wrong for me to not rate it highly.
Accessible to any Star Wars fan, it honors many themes we know and love
while establishing new ones which emulate the sense of excitement
that Star Wars had in the first place. Though it was always destined to be
a level below any of John Williams’ film soundtracks, I believe STAR WARS:
THE OLD REPUBLIC has earned itself a very special place in a galaxy far,
far away.
Rating:
7/10

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Track |
Track Title |
Track Time |
Rating |
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COLLECTORS
EDITION
SOUNDTRACK |
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1 |
Clash of Destiny |
2:20 |
***** |
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2 |
Glory, The
Galactic
Republic |
6:03 |
**** |
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3 |
Domination,
The Sith
Empire |
5:52 |
**** |
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4 |
Justice,
The
Jedi
Knight |
5:40 |
**** |
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5 |
Bravado,
The
Smuggler |
5:26 |
*** |
| 6 |
Deception, The Sith Warrior |
5:10 |
**** |
| 7 |
Scum, The Bounty Hunter |
4:38 |
*** |
| 8 |
Hope, The Republic Trooper |
5:13 |
*** |
| 9 |
Villainy, The Imperial Agent |
4:12 |
*** |
| 10 |
Peace, The Jedi Consular |
5:28 |
**** |
| 11 |
Treachery, The Sith Inquisitor |
5:40 |
*** |
| 12 |
Shake That Wampa Down |
2:38 |
** |
| 13 |
See You on the Dark Side |
2:25 |
** |
| 14 |
Smeeleeya Whao Tupee Upee |
2:50 |
*** |
| 15 |
Run Kessel Run |
2:34 |
** |
| 16 |
One Chuba Too Many |
2:29 |
** |
| 17 |
Shapa Keesay (Shape-Shifter) |
3:01 |
** |
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Total Running Time (approx) |
72 minutes |
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Track |
Track Title |
Track Time |
Rating |
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DIGITAL TRACKS |
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| 1 |
The Mandalorian Blockade |
5:26 |
***** |
| 2 |
Korriban, The Homeworld |
5:20 |
** |
| 3 |
Yesterday's Jawa |
2:45 |
** |
| 4 |
Average Brown Wookie |
2:57 |
** |
| 5 |
Ord Mantell, The Battleground |
6:22 |
** |
| 6 |
Nal Hutta, The Glorious Jewel |
6:02 |
** |
| 7 |
Tython, The Wellspring |
7:00 |
** |
| 8 |
Dromund Kaas, The Seat of Power |
5:26 |
*** |
| 9 |
Coruscant, The Capital |
6:39 |
** |
| 10 |
Do the Holos Show Up on the Bill? |
2:38 |
** |
| 11 |
Kayfoundo Naweea |
2:35 |
*** |
| 12 |
Balmorra, The Forge |
6:12 |
**** |
| 14 |
Taris, The Plague |
6:42 |
** |
| 15 |
Nar Shaddaa, The Playground |
6:04 |
** |
| 16 |
Tatooine, The Desert Sands |
5:30 |
** |
| 17 |
Alderaan, The Throne |
6:30 |
*** |
| 18 |
In the Escape Pod |
2:09 |
** |
| 19 |
Doe Azalus Ootmian |
2:44 |
*** |
| 20 |
The Occupation of Balmorra |
4:32 |
***** |
| 21 |
The Battle for Coruscant |
6:18 |
**** |
| 22 |
Hoth, The Frozen Wastes |
6:26 |
* |
| 23 |
Belsavis, The Ancient Prison |
6:18 |
* |
| 25 |
Voss, The Mystic Garden |
5:30 |
** |
| 26 |
Cut the Phobium |
2:29 |
** |
| 27 |
The Slippery Little Hut of Mine |
2:37 |
** |
| 28 |
Corellia, The Shipyards |
9:39 |
*** |
| 29 |
Credits Where Credits are Due |
2:35 |
*** |
| 30 |
The Siege of Alderaan |
5:16 |
**** |
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